MILAN — For Prada chief executive officer Patrizio Bertelli, the multibrand luxury empire model remains as seaworthy as his America’s Cup yacht, Luna Rossa.
“The model has not changed. We are still a multibrand company,” said Bertelli, his lightweight blue suit providing the sole burst of color in a stark white meeting room at corporate headquarters here.
In an exclusive with WWD, Bertelli outlined the company’s priorities, which include tapping the potential of the Miu Miu brand outside Europe; launching a Prada men’s fragrance in 2006; expanding product lines such as the Prada Sport denim collection; determining the future of Helmut Lang as it talks with potential buyers, and perhaps bringing in a new designer at Jil Sander by the end of the year as it continues to restructure the brand.
All this as Prada progresses toward its goal of finally carrying out the initial public offering it has postponed four times. But Bertelli termed that a “secondary priority.”
“We can start to rethink the whole process at the end of 2006,” he said, before listing the more imminent tasks, such as growing Miu Miu and the fragrance launch.
Bertelli is quick to defend the multibrand model as a business strategy, despite the debt he’s incurred to construct his empire. He’s also swift to brush off market concerns about the 700 million euros, or $910 million, worth of bonds due in June, saying that he’s got an excellent relationship with the banks eager to do business with him.
“It’s useless for us to explain this [so many] times. Sept. 11 happened and we were supposed to [meet with analysts for the IPO] on Sept. 18,” he said. “That’s the whole story. If Sept. 11 hadn’t happened, we would be talking about other things.”
The ceo declined to give full-year 2004 forecasts. In 2003, Prada Holding saw its net profits grow 34 percent to 36.3 million euros, or $46.3 million at average exchange rates for the period. Revenues declined 13 percent to 1.4 billion euros, or $1.5 billion. The Prada and Miu Miu brands accounted for one billion euros, or $1.15 billion, in sales, dwarfing the group’s other brands.Although he freely admits that all is not well at Helmut Lang and Jil Sander, Bertelli is quick to cite his success stories with Prada, Miu Miu and acquisitions such as Car Shoe and Church’s. While many in the industry ponder the future prospects of all the small and medium-size brands that Prada, Gucci Group and LVMH Moët Hennessy Louis Vuitton snapped up during the Nineties buying spree, Bertelli defends the giants’ original logic, saying they saved many a brand from inevitable ruin.
“By virtue of becoming a part of groups like Prada, Gucci and [LVMH], these smaller brands stayed alive. If these groups weren’t there to sustain them, they would have disappeared,” he said.
Nonetheless, market watchers have urged both Prada and other luxury conglomerates to prioritize, especially when it comes to money-losing brands. They also have pointed out that, in most cases, multibrand groups rely on one or two labels for the majority of their profits and sales.
“Managing a brand portfolio requires making decisions, sometimes tough decisions to concentrate financial and managerial resources on the brands that are most successful and can create the most value,” said Andrea Ciccoli, vice president of consultancy Bain & Co.
There are indications Bertelli is doing just that. Prada split with designer Helmut Lang in March and last week confirmed it is in talks with potential buyers of the company. It isn’t clear, though, whether Lang would return to design the collection. Bertelli also declined to name the potential buyers.
“We have just decided to interrupt [the relationship with] Helmut Lang,” Bertelli said, clarifying that Prada will continue to fill outstanding orders and produce the collection until the end of the year, at which point he’ll decide whether to sell. “We’ll see,” he said.
Bertelli said any good businessman would have reached the conclusion he did: that the Helmut Lang brand just wasn’t working. The label already was seeing financial hardship before the designer left.
“If you see a brand that can’t find its customer base, that can’t generate the right level of turnover and it’s posting losses, you are going to have to proceed in a certain way,” said Bertelli.Speculation has named Diesel or Tommy Hilfiger as potential contenders for Lang. Diesel owner Renzo Rosso has said Prada approached his company, but he’s not interested. A Tommy Hilfiger spokesman declined to comment, but a source close to the company said it is not interested. Several financial sources have said Helmut Lang could be a tough sell, as a money-losing company without its founding designer that has diversified too much out of its core sportswear business.
The Jil Sander situation is completely different, however. Bertelli said he plans to keep sustaining Jil Sander, despite market speculation that he may wish to part with that brand, as well. As reported earlier this year, Prada and Jil Sander management are using a team of people to preserve the namesake designer’s minimalist aesthetic rather than diverge into new territory — a misstep Prada acknowledges it made the first time Jil Sander said goodbye.
Bertelli said he’s still on cordial terms with Sander and respects her as a designer. He even heard from her a couple of months ago. But he denies the possibility of her returning for a third time.
“We made a decision not to carry on relations with Ms. Sander. We saw that the difficulties reached a point that we weren’t able to make radical [operating] transformations,” he said. Certain restructuring measures — such as a recent decision to move the remainder of the line’s production from Germany to Italy — should have been taken care of long ago, but Sander blocked them, said Bertelli.
“Jil Sander is a person who, despite selling her company, never mentally sold the company. That is the real problem,” he said. “She shouldn’t have sold the company.”
Still, Bertelli said that he’s confident in the current style team, which earned rave reviews for its first collection last February. That said, he doesn’t rule out the possibility of hiring a new designer for the label.
“We will do things calmly, “ he said. “By the end of the year, we will finalize the new structure of Jil Sander, also on the design front.”
Bertelli would not be drawn on names of designers he would like to see at Sander. But when asked what he makes of men’s wear designer Raf Simmons, he joked, “Who’s that?”It’s a bit harder to bypass name recognition when you’re talking about Tom Ford, or his new venture with Domenico De Sole to launch Tom Ford eyewear and beauty lines through Marcolin and the Estée Lauder Cos., respectively The licensing deals hardly conform to conventional brand-building methodology, but Bertelli likes the logic.
“Should Tom Ford have started competing with Gucci? [Should he] have started from nothing to make a product that competes with a company that he left a year ago?” he said.
Bertelli said he thinks it’s wise for Ford and De Sole to reach out to a broad consumer base with these entry-level products to build up a mystique behind the name. He thinks the duo will appeal to people’s “hedonistic” tendencies.
“If they are successful with fragrances and they are successful with eyewear, they will move on to making handbags,” he predicted, adding that a lot will depend on the communications strategy and business model of the Tom Ford venture.
But Bertelli understands the Ford-De Sole gamble perhaps more than many other executives, for when it comes to breaking the rules, he has firsthand knowledge.
Bertelli recalled the skeptics who balked when Prada opened its $30 million SoHo store in New York just three months after Sept. 11. Designed by Rem Koolhaas, complete with high-tech touches such as dressing room video cameras, touch-screen monitors and a giant “wave” floor that dominates the 180-foot length of the store, some observers thought it excessive. Prada even was one of the first fashion and retail companies to use RFID chips, now a rage in retail information technology, thanks to Wal-Mart.
Bertelli knew he was taking a risk, but he said it paid off. (Prada since has followed the SoHo store — dubbed a Prada Epicenter store — with similar units in Tokyo and Beverly Hills.)
“‘It’s an enormous empty space and a small selling floor space,’ people said. They were not able to understand this concept,” he said. “This year, the store is taking in more than $35 million. And people said that this store would have failed and not sold anything?”In fact, Bertelli said Prada’s sales in the U.S. are up by about 10 percent so far this year. He said he doesn’t see any signs of a slowdown in the U.S., despite some indications the economy could be headed for another slow patch. He said Prada is maintaining market share. Luxury generally remains one of the bright spots of the U.S. retail economy, with Neiman Marcus Group last week reporting its same-store sales rose 14.2 percent in April.
But Bertelli echoed many executives’ ongoing gripes about a strong euro-to-dollar exchange rate biting into exports and an overall sluggish European market for fashion and luxury goods.
He turned brighter on the prospects for Asia, noting improving trends in Japan and promising signs from developing countries elsewhere in the Far East, especially China. He sees a growth parallel between contemporary China and Japan in the Fifties, but he said this analogy has its limits. Japan turned inward and isolated itself to grow, while China internationalized itself quickly to fuel its boom, a key difference, in his mind.
“We have to think about all of these Chinese people who are traveling all over the world and becoming new consumers in product categories, from Ferraris to Prada bags,” he said.
@fearofgod and @maxfieldla have teamed up on a pop-up installation. The store, located in the gallery space across from Maxfield’s Melrose Ave location, is the site of the brand’s House of God pop-up in which Fear of God founder @jerrylorenzo has created a church-inspired installation. A dozen vintage church pews sit in front of an LED screen playing 90s gospel singers in an effort to re-create an environment akin to a Southern Baptist Church, Lorenzo explained. Read more about the pop-up on WWD.com #wwdfashion (📷: Jennifer Johnson)
Known for his sleek, sophisticated American glamour, Norman Norell is the subject of an upcoming exhibition at @fitnyc. “Norell: Dean of American Fashion,” which runs from February 9 through April 14, will feature approximately 100 ensembles and accessories. His best work is exemplified by the designer’s glittering “mermaid” gowns frosted with thousands of hand-sewn sequins – like the one pictured. (📷: William Helburn) #wwdfashion
For pre-fall 2018, @balmain didn’t let go of the glitz. A crystal embroidered baseball jacket priced at around $40,000 hangs in the “couture” section of the brand’s first men’s pre-collection. Sporting the words “Balmain Army” across the back, the item took around two months to make. “When it was completed, it was like Christmas, it was like, ‘It’s done, it’s exactly what I wanted,’” said Balmain’s creative director @olivier_rousteing during a tour of the collection in a Paris showroom on Monday. #wwdfashion
Eighty degree temperatures and outdoor installations at the annual Art Basel Miami Beach called for bright, elevated beachwear. See more street style pictures on WWD.com. #theyarewearing #ABMB (📷: @lifeinreverie)
Following September’s emotional tribute to her brother Gianni, Donatella Versace wanted to bring the spring show’s deep sense of intimacy to her @versace_official pre-fall collection. Donatella found inspiration in Versace Palazzo in Milan and from Gianni’s opulent apartment. Archival patterns and new motifs were splashed on silk shirtdresses and fitted jersey frocks. See the rest of the photos on WWD.com. #wwdfashion
Demna Gvasalia continues to shake up the Paris fashion calendar — and experiment with new runway timetables for his @vetements_official brand. WWD has learned that Vetements plans to stage its next coed show for the fall 2018 season on January 19 during Men’s Fashion Week in the French capital. Details about the timing and venue have not been confirmed — stay tuned on WWD.com to catch the latest. #wwdnews (📷: @giovanni_giannoni_photo)
@zacposen's go-to holiday gift? Cookies! "I'll usually bake cookies and send them as a gift," said the designer, who recently released his cookbook "Cooking With Zac: Recipes from Rustic to Refined." Get the recipe for his Brown Butter-Chocolate Chip Cookies via link in bio 🍪🍪🍪 #wwdeye #cookingwithzac
For @monsemaison’s pre-fall 2018 collection, Fernando Garcia and Laura Kim honed in on the brand’s many signatures — men’s wear, which was tweaked and feminized through deconstruction, proportion play and lots of bare shoulders. See the rest of the photos on WWD.com #wwdfashion (📷: George Chinese)
On Friday night, @yohjiyamamotoofficial received the Design for Asia Lifetime Achievement Award in Hong Kong. The 75-year-old designer has been celebrated for many years and is best known for his dark and avant-garde tailoring. “In my long career, in design, architecture, [I’ve been to] so many parties, this is the very first time that I have such a warm feeling, I really appreciate this,” Yamamoto said. #wwdfashion (📷: @dominiquemaitre)