Project Runway: Week after week, Bravo’s “Project Runway” has had viewers glued to their sets as they witnessed designer after designer get cut from the show. On Friday, the final challenge came as the remaining four contestants presented their lineups at Bryant Park. Jay McCarroll showed a bold, brazen collection that featured versatile, monochromatic looks with a techy vibe. There was a touch of Tokyo girl and a dash of preppy hipster in his ensemble of a denim sleeveless jacket layered with a tank, button-down, mesh sweater and pants. Austin Scarlett’s 10-piece collection that included a tweed dress with a bolero and a ruffled blouse had a sexy, American Revolution-inspired elegance. Kara Saun, meanwhile, channeled Howard Hughes to create a fantasy fly-girl collection that was both feminine and utilitarian, as in a rust-colored leather and crocodile three-quarter-length jacket with an aviator hat, and a fabulous, low-cut chocolate silk evening gown. Wendy Pepper, clearly the weakest of the bunch, showed too many bustier and corset looks. While TV viewers will have to wait until Feb. 23 to see the winner, our verdict is in. It’s a close call, but McCarroll takes the cake. Kenneth Cole: Lights, camera, humanitarian action. As usual, Kenneth Cole kicked off his runway presentation with a call to conscientious arms. This time, his video vignette focused on the country’s homeless. Cole had comedian Mario Cantone — best known as Charlotte’s irritating, persnickety sidekick on “Sex and the City” — playing at salesman, bullying shoppers into donating their coats to the homeless. “Get with the program, bitch!” he yelled at one hapless man trying on jackets who eventually lost his own to Cole’s charity.

While Cole’s altruistic side urged his audience to give coats away, on the runway, his businessman counterpart provided ample alternatives to fill those newly empty spots in the closet. Donated one of those passé but oh-so-warm puffy jackets? Replace it with one of Cole’s pared-down duffel coats in stone, plum or muted green, or maybe a long, maroon peacoat.

Indeed, a pulled-together, sporty attitude defined one of Cole’s strongest collections to date, filled with appealing, practical looks for women and men. To wit — perhaps to highlight the versatility of the clothes — toward the end of the show, Harry Belafonte appeared seemingly out of nowhere, as dashing as any boy model, if way out of context. But no matter. This collection felt more resolved and confident than any Cole has previously shown.

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