Jessica Paster, Luxe agency, dressing Allison Janney, Peri Gilpin, Jane Leeves, Megan Mullally: "Wearing Paris couture from a show the day before the awards is crazy. No [celebrity] is going to wait that long to get a dress. Hilary Swank did that last year with Versace, but the show was a week before. Designers just want to get over their runway shows. The last thing on their minds is an awards show. They're not going, 'Oh my God, we need to dress an actress for the Golden Globes!' The couture shows are their Golden Globes, their Oscars."
Fahti Parsia, Rex, dressing Catherine Zeta-Jones: "I'm inspired by the old-fashioned studio system where they turned out these exquisite creations. I want to buy that fantasy, that image. Have you ever seen a bad picture of Bette Davis or Rita Hayworth? Catherine is the same way. For her, I always go couture because I like the extra oomph. It's like a second skin. Clearly, she was born to wear it. She just popped out of the womb and was like, 'Where are my high heels?'
"If you're going to go through the trouble of getting ready, don't go halfway. I'm not looking for something that already exists on the runway and I'm not about the latest looks. The Golden Globes is not a parade of the latest trends."
Ricci De Martino, Cloutier: "I would go to whatever length it took to get the right dress for the right person, even if it meant going to Europe and plucking it off the rack. It's a big business, and a lot of people forget it's not just about glamour and glitz -- it's about getting that dress on the right person at the right time. It doesn't have to be the trendiest dress, but I do like to showcase the latest looks on my clients rather than something everyone has seen before."
Jeanne Yang, Cloutier: "It's really hard because there's enough pressure as it is to have a certain look. But once in a while, it's great to go out there and do something unorthodox, like Lara Flynn Boyle [last year]. She wore a crazy suit and rhinestones. At first I thought, 'What is she doing?' But it was in keeping with the whole idea of looking great and standing out. Imitation is not the sincerest form of flattery at awards shows. You have to walk that thin line between trying to be cool and unique and yet not stick out so much that people will be tearing you down."L'Wren Scott, dressing Sandra Bullock and Sarah Jessica Parker: "The Golden Globes feels a little more casual, but it's in the attitude -- not the dress. Just because it's a relaxed venue doesn't mean it has to be a relaxed dress. It's about whatever you feel gorgeous in. If it's couture, it's couture; if it's diamonds, it's diamonds. If you feel gorgeous, go for it, honey! I like to have an open mind."
Phillip Bloch, Cloutier, dressing Kim Cattrall: "Celebrities don't need me to find Randolph Duke, Giorgio Armani and Valentino. They go after stars themselves. My job becomes about finding new designers people don't know.
"I feel like the Golden Globes are somewhere between the Oscars and the MTV Awards. Movie stars should look romantic, feminine and sexy. Young women should not look like debutantes, and mature women should not look like they are going to a fund-raiser. I want people to have fantasies about these stars when they walk across the stage. When celebrities pretend all this fuss about getting dressed doesn't matter, they're kidding, because let's face it, they're all people-pleasers at the end of the day. They do it for the fans. That's the driving force right there."
Breaking News: @louisvuitton's men's artistic director @mrkimjones is leaving the French fashion house after nearly 7 years. Jones joined Louis Vuitton in 2011, following a three year tenure as creative director of British luxury goods brand Alfred Dunhill. Jones is to exit Louis Vuitton after showing his fall 2018 collection for the brand in Paris on Thursday. Read the full exclusive story on WWD.com. Link in bio. #wwdnews #wwdfashion
For men’s fall 2018, @giuseppezanotti drew on elements from streetwear, sport, biker, combat and rock ‘n’ roll. Pictured here are a pair of shoes from the collection, featuring zippers, rhinestones, and silver hardware. Head to WWD.com to see a roundup of the accessories from Milan’s men’s fall 2018 shows. #wwdfashion (📷: Andrea Delb)
To celebrate the 25th anniversary of @ralphlauren’s snowboarding collection, the brand is mining its archives. The iconic brand is reintroducing vintage styles and dropping new designs for a color capsule that will be available in Ralph Lauren stores and @openingceremony on January 25. The capsule will consist of 10 pieces, including the Snow Beach Pullover, pictured here, which is a collector’s item that rapper Raekwon wore in Wu-Tang Clan’s “Can It Be All So Simple” video. #wwdfashion (📷: Tom Gould)
For @rochasofficial’s pre-fall 2018 collection, creative director Alessandro Dell’Acqua channeled the sophisticated and intriguing Catherine Denevue in the film “Belle de Jour.” Polished collarless coats, midi skirts, suits and ’60s graphic motifs were all featured in the collection, adding a sense of discreet luxury. See the rest of the photos on WWD.com #wwdfashion
“We tried to produce clothing of that couture quality, but the most daunting part was that we only had a matter of days [to do it],” said costume designer Lou Eyrich, who recreated Gianni Versace’s iconic looks for @americancrimestoryfx. Eyrich searched online retailers and vintage shops for original pieces from the design house and for @penelopecruzoficial, who plays Donatella Versace. Head to WWD.com to read how she created the Versace world. #wwdfashion
Only three months after her stellar debut catwalk season, @kaiagerber has inked her first big design collaboration –– with @karllagerfeld. The collection blends Lagerfeld’s Parisian chic aesthetic and the model’s signature West Coast casual style via RTW, accessories, footwear and more. The #KarlLagerfeldxKaia collection will launch in September with a series of events. Get all the details on WWD.com. #wwdnews #wwdfashion
Harrods plans to remove the famous statue of Princess Diana and Dodi Al Fayed from the bottom of the Egyptian escalators and hand it back to Mohamed Al-Fayed. “We are very proud to have played our role in celebrating the lives of Diana, Princess of Wales and Dodi Al Fayed at Harrods and to have welcomed people from around the world to visit the memorial for the past 20 years,” said Michael Ward, Harrods managing director. “With the announcement of the new official memorial statue to Diana, Princess of Wales at Kensington Palace, we feel that the time is right to return this memorial to Mr. Al Fayed and for the public to be invited to pay their respects at the palace.” More on the news, with reporting by @loreleimarfil, at WWD.com. #wwdnews