Miles of hanging wisteria, roses, vines and branches created a dense,mysterious wonderland. Some of the flora was real and some fake,painted in intensified variations of nature’s own hues. The effect wasenchanting and a bit surreal, a foreshadowing of a transition from onestate to another, the viewer not always able to distinguish definitivelybetween the two.


In his third season at the creative helm of Dior, Raf Simonswants to temper the reverence, and start imposing his own ethos on thehouse more flagrantly.

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