The future is old news. Exaggerated shapes, supertechy fabrics and digital prints aren’t quite the novelty they once were. So for spring, designers infused a careful mix of unique textiles and treatments into their collections to show a softer side of modern.
Miuccia Prada described her Milan showing as “archaic and primitive,” but the fabrics she used for her asymmetrical shifts—a cotton and metal blend—were anything but. Domenico Dolce and Stefano Gabbana threw recession woes aside with their ultraluxe silk taffeta and duchesse brocades, fashioned into geometric jackets and skirts.
In New York, Diane von Furstenberg executed a few of her signature prints in beads and sequins as a structural element to shore up her fluid fabrics. Marc Jacobs delivered plenty of shimmer, most notably with a Strawberry Brocade and Leopard Lurex developed with Synergies Textiles. And at Tuleh, an ombré number with a treeprint overlay was a favorite of designer Bryan Bradley. While the piece read like abstract art wrapped into a suit for a future first lady, it was actually an homage to mid–20th century environmentalist Rachel Carson and was among many nods to Mother Earth.
Innovation took on an airy quality on London’s runways, with Roksanda Ilincic playing with gold and silver coatings on soft organzas and chiffons, while Louise Goldin tapped into Japanese technology with a superfine lightweight organza to create pale knit dresses. Five meters of Goldin’s material weighed less than a single egg.
In Paris, digitally engineered prints abounded at Alexander McQueen— perhaps the most startling, a stained glass–like design based on a blown-up photograph of crystals, their facets warped and tinted in four different colorways. The print was then engineered to fit the forms of a dressmaker’s dummy before being applied to fabrics such as jerseys, knits and silks. Elsewhere, McQueen’s natural history lesson centered on fusions of natural and man-made elements, while stunning, lab specimen–like frocks featured loose silk flowers trapped under tulle netting. And at Balenciaga, sequins and embroideries, such as pleated ribbons coated with shimmery films, were dazzling, and Nicholas Ghesquière took things even further with his use of bonded suede and gabardine paper. The matte fabrics absorbed and deflected light, providing a welcome contrast to the metallic sheen typical of all those futurists from yesteryear.
EXCLUSIVE: @tomford is opening its first-ever beauty store. The boutique, which opens November 20 in London’s Covent Gardens, was designed with the over-the-top glam Ford is known for. Read the full story on WWD.com, link in bio. #wwdbeauty #wwdnews (📷: Simon Wagner) #TomFordBeauty
New York-based DJ @harleyvnewton threw a party to celebrate the holiday collection of her dress and pajama line @hvn at the Ladurée Beverly Hills. It Girls @katebosworth, @rashidajones and more joined in on the fun, which included cocktails, croque monsieur sandwiches and a photo booth. #wwdfashion (📷: Owen Kolasinski/BFA.com)
For the holidays, @Burberry partnered with 20-year-old artist @blondeymccoy on a series of three outdoor murals in downtown Manhattan. The murals are McCoy’s interpretation of a Christmas eve party, the idea of charity and the spirit of family. His third mural, pictured here, is the most personal. The image depicts McCoy’s grandparents and father in London’s Trafalgar Square in the Seventies. “My work often features lots of sentimental objects.” #wwdeye
For spring 2018, designers applied bold colors and cartoonish motifs on everything from sneakers and belts to key chains. See all the top men’s accessories trends on WWD.com. #wwdtrends (📷: George Chinsee; Prop Styling by @rnasti; Market Editor: @luiscampuzano)
The @dior-sponsored @guggenheim international gala pre-party has a history of drawing cool-girl musical acts to serenade the crowd –– and last night was no exception. @haimtheband performed songs both new and old, and lured a star-studded audience with the likes of Rebecca Hall, Kate Mara, Mamoudou Athie and more. #wwdeye (📷: @lexieblacklock)
In a partnership between the @metopera and the @englishnationalopera, “Marnie” was born. The opera, with costumes sponsored by @mrporterlive, is an adaptation of the 1961 thriller by Winston Graham. Arianne Phillips, who created the costumes, is no rookie: She’s styled Madonna for her tours and created costumes for a myriad of films in the past. Read WWD’s interview with Phillips, where she talks about her inspiration for the opera’s costumes on WWD.com #wwdfashion
@barneysnyc took a different approach to their holiday windows this year. Instead of Christmas decor, Barneys tapped @thehaasbrothers to tell a story of positivity, gratitude and inclusivity via heartwarming silliness and humor. “It’s about kids and it’s about coming together and being family and loving each other,” said Simon Haas. #wwdfashion (📷: @joshuascottphoto)
Beauty influencer @kandeejohnson makes her foray into hair care with a collaboration with @ogx_beauty — making it the first time that OGX has teamed up for a product creation. The collab includes shampoos and conditioners in three scents. At 39 and a mom, Johnson is a different profile than the emerging social media stars, but is considered one of the pioneers of the digital beauty influencer world. Read WWD’s interview with her on wwd.com, including the strangest beauty product she’s ever tried #wwdbeauty