MILAN — The 15th edition of Milano Unica, which ended here on Sept. 13, took place under a cloudy sky.
The Italian textile industry posted a 15.3 percent drop in production and a 10.4 percent downturn in exports in the first half of 2012, according to the Italian fashion and textile consortium SMI Sistema Moda Italia. Despite the industry’s gloomy outlook, Milano Unica registered an encouraging 75 percent and 12 percent increase in visitors from China and Japan, respectively.
“The growth of Chinese visitors confirms that we made the right choice in deciding to directly approach that huge market, bringing Milano Unica to Shanghai in October, also because China represents a window over all of Asia,” said Milano Unica president Silvio Albini.
Loro Piana president Pier Luigi Loro Piana, said, “I’m pretty happy about how the market is reacting. I was more concerned in June, but in July and August, we registered a recovery. China and northern Europe are performing well, and the U.S. registered notable growth in 2012,” referring to the company’s business.
For fall 2013, Loro Piana focused on cashmere, developing the special “Cashmere Rice-Stitch,” a cashmere jersey fabric featuring a textured front and a smooth back. Specifically for women’s wear, the company also created “Loro Piana Zibeline,” a luminous cashmere cloth with a hammered finishing, obtained with the use of dried cardoon flowers from the Spanish Navarre.
Loro Piana keeps developing its signature sportswear fabrics, mixing high-end technical qualities with a sophisticated, urban style. They include “Cashmere Twin,” a blend of cashmere and cotton that is available also with Storm System, a special treatment that makes the fabric wind repellent and waterproof without losing softness and lightness.
“We are doing very well, for the single reason that our company is strong in exports,” said Ermenegildo Zegna chairman Paolo Zegna. “We have a global vision because we are interested in all the markets where we see growth opportunities, even small.”
Ermenegildo Zegna Group presented the latest collections of its three textile brands: Tessitura di Novara, Lanificio Ermenegildo Zegna and Lanerie Agnona. Tessitura Di Novara introduced an innovative range of silk fabrics for winter featuring a cashmerelike effect, while Lanificio Ermenegildo Zegna developed cashmere and cotton stretch corduroy, also available in a printed version whitened for a glazed, soft look. Zegna also revisited classic British fabrics, such as Shetland, Donegal and Knickerbocker, blending with wool, mohair or cashmere.
Marzotto banned bold patterns from its collection, paying a tribute to the classic textile tradition. Beside a more luxurious range, including wool and silk fabrics treated with unconventional washes, the company developed a more sporty high-end line focused on shuttle-woven jersey fabrics.
“The biggest concern currently comes from our huge stocked clients, which issued profit warnings. This foreshadows that the markets will see an additional downturn,” said Marzotto chief executive officer Sergio Tamborini, adding that the company aims to grow in China and the Middle East. “There are some additional markets that are currently growing a lot, such as Brazil and India, but each presents some limitations, including customs duties and seasonal temperatures that make the products inappropriate.”
Marzotto, which also owns Italian silk maker Ratti, announced the acquisition of velvet specialist Redaelli Velluti, which controls three brands: Redaelli Velluti, Niedieck and Christoph Andreae.
“This operation is part of the strategy we started in 2005, with the goal of creating a conglomerate of high-end textile companies,” Tamborini said.
The Radaelli Velluti brand presented high-end women’s silk and cashmere velvets with a shiny effect, while Niedieck showcased viscose or silk embossed plush velvet, specifically designed for outerwear.
For next fall, Biella-based Botto Giuseppe developed its “Multicontrol Weather” range, including waterproof and stain-resistant cloths in stretch wool and wool with silk.
“The cost of raw materials is a bit lower at the moment, but taxation is extremely high and the price of energy is up,” said Botto Giuseppe textile designer Marco Bille. “So we decided to raise our prices by 5 percent.”
At the fair’s Shirt Avenue section, Albini Group unveiled the collections of its five brands: Cotonificio Albini, Thomas Mason, David & John Anderson, Albiate 1830 and Albini Donna.
The Bergamo-based group registered a 6 percent increase in exports in the first half, driven by growing requests for its most luxurious products.
Albini Group is also developing Albini Energia, a green program focused on reducing energy waste and carbon footprints, as well as producing and using alternative energies. Cotonificio Albini presented its “Flanellino,” a new linen flannel with fine dobbies in a wide color palette, spanning from classic shirt colors, such as blue and black, to mélange hues, pastels and deep fall tones of burgundy, saffron and tobacco. The brand also re-proposed its signature “Piuminofeeling,” an exclusive fabric made with high-end Egyptian Ginza 87 cotton.
The British-inspired Thomas Mason label focused on bold colors, delivering a range of multicolor cotton fabrics in checkered, pin-striped and tartan patterns.
At Milano Unica, Testa launched ultraluxurious Egyptian shirting cotton fabrics blended with 24-karat gold, which wholesale from $400 to about $1,000 a meter.
The shirting-fabric producer presented a classic, formal collection filled with cotton fabrics with micropatterns on white or light blue, and a more casual range featuring textured cloth with particular finishing. Testa also introduced “Natural comfort,” a cotton fabric said to have the same elasticity of stretch fabrics.
“We are focusing on China because we see good opportunities there,” said Testa managing director Michele Ferrario. “We are also growing in Italy, the United States and Northern Europe.”
“Azzedine has been one of the biggest influences in my life. He has always been such a strong, loving, fatherly figure to me. I call him Papa. His designs are indescribably unique, they are pieces of art. He knew how to make the female form look its loveliest. I have so many memories of him; my favorite might be during my first show with him in Paris. He liked me and he wanted to help me get more work. He called all his friends at Kenzo and Comme des Garcons, and asked them to book me. They said, ‘But she can’t walk!’ And he said, ‘but she has such a great ass!' His friendship and support has been the great privilege of my career. I can't imagine life without him. Repose en paix mon Papa.” - @stephanieseymour tells @wwd. #wwdfashion (📷: @steveeichner) #alaia #azzedinealaia
Azzedine Alaïa, flanked by two of his closest friends, models Stephanie Seymour and Naomi Campbell.
He designed Seymour’s dress for her 1995 wedding to Peter Brant, and treated Campbell (who famously called him Papa), like a daughter. For more on the legendary designer, tap the link in bio. #wwdfashion #alaia #azzedinealaia
Azzedine Alaïa's “I-did-it-my-way” ethos stood out starkly at a time when brands are experimenting with consumer-facing fashion shows, coed formats and trans-seasonal collections – anything to perk up lackluster sales of ready-to-wear in an age of Insta-everything. “It’s not creation anymore. This becomes a purely industrial approach,” the late designer told WWD in an interview last year. “But anyway, the rhythm of collections is so stupid. It’s unsustainable. There are too many collections.” Read more about the iconic designer’s life and work on wwd.com, link in bio. #wwdfashion #azzedinealaia (📷: @WWD Archive, 1986) #alaia
Sneaker reselling app @goat’s latest exhibit, "The Greatest: New York," tells the story of New York's sneaker culture. To celebrate the exhibit, an intimate crowd gathered on Thursday night at the pop-up gallery space, located at Platform in Culver City, to hear guest speaker and illustrator @esymai talk about her own rise in streetwear and women in the business. "For me I'm just someone who is creative. I like to create things," said Chang. #wwdfashion
Azzedine Alaïa, one of the most iconic couturiers of the modern era whose body-con designs defined Eighties fashion, has died in Paris. The diminutive Tunisian-born designer, known for his structured knitted dresses with fitted waists and impeccably cut, figure-hugging second skin silhouettes was deeply admired by his peers, and counted supermodel Naomi Campbell - his adoptive daughter - among his inner circle, one of a gang of glamazons including Farida Khelfa, Carla Bruni and Stephanie Seymour who became ambassadors of his style. (📷: Alexandre Guirkinger) #wwdblast