This fall's crop of runway fabrics channeled past moments of uncertainty.Astrakhan topcoats referenced the Russian Revolution and World War II, while corduroy blazers mimicked the U.S.-manufactured, mass-produced variety popular with the working class in the late 1800s during the Long Depression. “People want that security right now,” said Gilded Age designer Stefan Miljanic. “Corduroy sparks emotions. It’s the warm, soft but gutsy feel that makes it an essential fall fabric.”
Miljanic drew from images of sport coats with leather patched-elbows, worn by pipe-smoking Harvard professors in the Sixties for a rustic feel. “I love the thicker cord blazer,” he said. For a more sophisticated look, a burgundy stretch corduroy hunter jacket had an iridescent sheen. Band of Outsiders took a similar approach, with designer Scott Sternberg choosing a waxed treatment for a stiff construction and a memory for wear. “It’s a suit for now, for a guy like me,” he said. “I’ve done corduroy before, but now I’m doing it in a better, in a fresher, more confident way, like including Ultrasuede elbow patches.” In Paris, Junya Watanabe kept his corduroy pants short and relaxed, paired with puffy vests and brown suede-pocketed tweed jackets for a taste of pure Americana.
Scarlet-hued corduroy created the ultimate juxtaposition on the Paris runway with an Armand Basi suit, its narrow wales resembling velvet from afar. The interpretation was more in tune with the defi nition coined in 1700s France, corde du roi, or “cord of the king.” At that time the fabric was woven of silk and used for royal servants (although some surmised a British manufacturer was just trying to glamorize his fabric with a fancy name). Hermès had its own take on brazen red in a blazer paired with simple black accents, simply crisp and luxurious.
For outerwear, sophisticated pieces on the runway came in the form of astrakhan, a heavy, curly textile that can either represent karakul lamb fur or piled mohair yarn and a combination of cotton or wool for the ground warp. Thom Browne chose a gray variety for his top hats. “The gray is quite handsome. I’d love to see this old man kind of hat on a young guy,” he said. Confessing to not really being a fur kind of fellow, Browne chose to use it sparingly as an accent piece on a utilitarian jumpsuit. “Astrakhan adds a couture feeling in a masculine way. Anyone can wear it that has the confidence to pull it off,” he added. The roots of astrakhan hats delineate to Soviet officers in WWII.
D&G kept the Russian theme alive in Milan with an ode to Dr. Zhivago and the Russian Revolution that took the form of a long brass-buttoned peacoat and black astrakhan lapel. Juun.J dressed a scrumptious leather bomber with astrakhan lining peeking from beneath. Ungaro kept it short and casual, while Wintle dressed it up as a tuxedo with fancy piping.
Going all out were Ferragamo and Hugo Boss, sending long black astrakhan car coats down the runway. Gianfranco Ferré one-upped the group in Milan, adding a funnel-neck for a modern edge. Giuliano Fujiwara took it full throttle, pairing an epaulet-adorned coat with black astrakhan pants for a full body look, surely not for the timid. Even more shocking was a shorter version in sunshine yellow. Hardly a recession hue.
“My personal philosophy to beauty is paying attention to oneself. I love to be outdoors, lots of fresh air, trying to take care of yourself as best you can. I always notice that comes through,” says Felicity Jones, the global face of @shiseido-owned @cledepeaubeauteus, which launches today. Head to WWD.com to read more about the actress’ love for beauty and how she prepared for her new role in “The Basis of Sex,” playing the young Ruth Bader Ginsburg. #wwdbeauty (📷: @dandoperalski)
For men’s fall 2018, @giuseppezanotti drew on elements from streetwear, sport, biker, combat and rock ‘n’ roll. Pictured here are a pair of shoes from the collection, featuring zippers, rhinestones, and silver hardware. Head to WWD.com to see a roundup of the accessories from Milan’s men’s fall 2018 shows. #wwdfashion (📷: Andrea Delb)
To celebrate the 25th anniversary of @ralphlauren’s snowboarding collection, the brand is mining its archives. The iconic brand is reintroducing vintage styles and dropping new designs for a color capsule that will be available in Ralph Lauren stores and @openingceremony on January 25. The capsule will consist of 10 pieces, including the Snow Beach Pullover, pictured here, which is a collector’s item that rapper Raekwon wore in Wu-Tang Clan’s “Can It Be All So Simple” video. #wwdfashion (📷: Tom Gould)
For @rochasofficial’s pre-fall 2018 collection, creative director Alessandro Dell’Acqua channeled the sophisticated and intriguing Catherine Denevue in the film “Belle de Jour.” Polished collarless coats, midi skirts, suits and ’60s graphic motifs were all featured in the collection, adding a sense of discreet luxury. See the rest of the photos on WWD.com #wwdfashion
“We tried to produce clothing of that couture quality, but the most daunting part was that we only had a matter of days [to do it],” said costume designer Lou Eyrich, who recreated Gianni Versace’s iconic looks for @americancrimestoryfx. Eyrich searched online retailers and vintage shops for original pieces from the design house and for @penelopecruzoficial, who plays Donatella Versace. Head to WWD.com to read how she created the Versace world. #wwdfashion
Only three months after her stellar debut catwalk season, @kaiagerber has inked her first big design collaboration –– with @karllagerfeld. The collection blends Lagerfeld’s Parisian chic aesthetic and the model’s signature West Coast casual style via RTW, accessories, footwear and more. The #KarlLagerfeldxKaia collection will launch in September with a series of events. Get all the details on WWD.com. #wwdnews #wwdfashion
Harrods plans to remove the famous statue of Princess Diana and Dodi Al Fayed from the bottom of the Egyptian escalators and hand it back to Mohamed Al-Fayed. “We are very proud to have played our role in celebrating the lives of Diana, Princess of Wales and Dodi Al Fayed at Harrods and to have welcomed people from around the world to visit the memorial for the past 20 years,” said Michael Ward, Harrods managing director. “With the announcement of the new official memorial statue to Diana, Princess of Wales at Kensington Palace, we feel that the time is right to return this memorial to Mr. Al Fayed and for the public to be invited to pay their respects at the palace.” More on the news, with reporting by @loreleimarfil, at WWD.com. #wwdnews