Ballet dancer Marie-Agnès Gillot and jewelry designer Noor Fares starred in the show, held at the American Cathedral in Paris.

Rabih Kayrouz paid homage to craftsmanship, using fish patterns traced with rhinestones.

This collection was conceived as an ode to women.

The designer created an intimate, party-like ambience for his show.

The designer’s spring show was all about movement.

The designer worked from simple shapes inspired by the functionality of uniforms.

Rabih Kayrouz played with clin d’oeil effects and combined textures as different as felt and lamé with ease and sophistication.

Rabih Kayrouz beautifully channeled the sensuality of a confident woman who doesn’t have to try too hard.

Rabih Kayrouz pondered his own roots for fall, making this season a very personal and intimate affair.

The first riff of Coolio’s classic hit “Gangsta’s Paradise” set the right tone for Rabih Kayrouz’s spring runway.

Rabih Kayrouz celebrated his hybrid culture — one foot in his native Lebanon, the other in his adoptive Paris.

The designer went back to basics for spring with a minimal color palette of black, white, silver and pink, and precise cuts based on rectangular shapes.

The Lebanese designer stuck to his pared-down aesthetic.

With Janis Joplin singing “Summertime” on the soundtrack, Lebanese designer Rabih Kayrouz sent out a collection of elegant hot-weather staples.

Having branched out into ready-to-wear and dipped a toe in the mass market, the designer opted to present just a handful of looks this season.