With Brazilian instrumentalist Max de Castro riffing down the runway, Miele’s latest had great flavor, from day dresses with an architectural bent to flowing geometric-print gowns — his only misstep: bolero overload.

With Brazilian instrumentalist Max de Castro riffing down the runway, Miele’s latest had great flavor, from day dresses with an architectural bent to flowing geometric-print gowns — his only misstep: bolero overload.

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