On Friday night, Riccardo Tisci laid claim to many of the men’s trends that he ignited, now gaining currency on other Paris runways. Among them are sport influences, allover prints and a Nineties streetwear vibe.

His spring collection was a riot of busy prints, depicting primitive technology (mainly reel-to-reel tape decks), bold stripes and photo prints. Every garment, every layer — outerwear, suit jackets, tank tops, basketball shorts, leggings — offered more real estate for pattern. Flapping loincloths printed with targets, numbers or portraits also jostled for the eye’s attention.

Every once in a while, a sharp black suit or a breezy white summer parka offered a reprieve from the blizzard of prints. The circuitry patterns worked best on technical outerwear; and the stripes seemed fresher, banded across shirts, sweaters or a leather popover.

War paint and bare torsos heightened the tribal feel of the show, paraded to a pounding beat in a covered parking garage. A smattering of women’s looks — a corset and some printed blazers — completed his fashion gang.

While this show didn’t represent any step forward for Tisci, nobody could mistake these clothes for anything but Givenchy.

On Friday night, Riccardo Tisci laid claim to many of the men’s trends that he ignited, now gaining currency on other Paris runways. Among them are sport influences, allover prints and a Nineties streetwear vibe.

His spring collection was a riot of busy prints, depicting primitive technology (mainly reel-to-reel tape decks), bold stripes and photo prints. Every garment, every layer — outerwear, suit jackets, tank tops, basketball shorts, leggings — offered more real estate for pattern. Flapping loincloths printed with targets, numbers or portraits also jostled for the eye’s attention.

Every once in a while, a sharp black suit or a breezy white summer parka offered a reprieve from the blizzard of prints. The circuitry patterns worked best on technical outerwear; and the stripes seemed fresher, banded across shirts, sweaters or a leather popover.

War paint and bare torsos heightened the tribal feel of the show, paraded to a pounding beat in a covered parking garage. A smattering of women’s looks — a corset and some printed blazers — completed his fashion gang.

While this show didn’t represent any step forward for Tisci, nobody could mistake these clothes for anything but Givenchy.

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