Serbian designer Nana Aganovich alternated stiffly constructed coats, many featuring cape sleeves, with asymmetrically hemmed satin skirts for her incongruous lineup, which at times looked like they had been rescued from the vaults of a Russian experimental playhouse.

Serbian designer Nana Aganovich alternated stiffly constructed coats, many featuring cape sleeves, with asymmetrically hemmed satin skirts for her incongruous lineup, which at times looked like they had been rescued from the vaults of a Russian experimental playhouse.

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