Juxtaposing mannish sartorial influences to feminine eccentric touches, the lineup offered the right mix of practical and sophistication.
Versatility was the message that the Milan-based designer wanted to telegraph with her collection.
Alanui first introduced regenerated cashmere and wool, along with unveiling a collaboration with the “Peanuts.”
With a plethora of animal prints, Cavalli’s first collection under the new owner looked back to the heydays of the label.
Efisio Marras offered his own personal interpretation of the Blair Witch in his pretty fall collection.
There was a slick, Space Age-y feel to this collection under creative directors Antonino Ingrasciotta and Josef Graesel.
Anna Yang’s collection of ultra vivid looks was christened “Infoxication” and inspired by the danger of fake news.
Shown on a lilac-carpeted runway, the collection was a well-curated succession of color blocks, creating the effect of a particularly efficiently organized nuancier.
Inspired by nature and the countryside, the collection highlighted the brand’s sustainable efforts.
Romance ruled with softened military silhouettes, flashes of pink and camouflage floral patterns.
Giorgio Armani held his signature brand’s women’s fall show behind closed doors due to the developments of the coronavirus in Italy.
Les Copains is springing to life again under its new owners, the Bologna-based Zambelli family.
Lorenzo Serafini wanted to celebrate self-expression and uniqueness with his fall collection.
Bally’s CEO Nicolas Girotto spoke of a coed collection that emphasized “purity of form, clean lines and understated luxury.”