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ALEXANDRE VAUTHIER: It was the influence of Vauthier’s former mentor Thierry Mugler that showed in this collection, namely in the gimmicky pagoda-shoulder leitmotif.


ALEXIS MABILLE: Mabille is one of fashion’s brightest young lights, one with a strong understanding of French chic and a penchant for witty riffs on his-for-her and vice-versa.


ANNE VALERIE HASH: Hash built her calm and collected, black-and-white couture collection on the label’s classic bestsellers: the tuxedo and the wedding dress.


AVALON VEGA: Samuel François and Daniel Fumaz’s  heroines were as sweet as a bag of candies, with taffeta and organza dresses swirling on their bodies like sugar sculptures.

CATHY PILL: Best known for her prints, Cathy Pill went cosmic with her ready-to-wear collection. The abstract, pixelated prints had an alluring futuristic vibe.


CHANEL: When most people have a good idea, they put it down on paper. Karl Lagerfeld cuts it out of paper. At least that’s what he did for his spring haute couture collection, a show brilliant in more ways than one.


See Also: Stars Come Out for Chanel »




CHRISTIAN DIOR: John Galliano is a master deconstructionist who can impose his way on a concept as remarkably as on a piece of cloth. His couture lineup was a dazzling collection rooted in New Look extravagance yet inspired by the Dutch Masters.


CHRISTIAN LACROIX: Lovely though it was, Lacroix’s lineup was just dresses, lacking the sense of passion and otherworldliness that makes his best work transcend fashion and approach art.


ELIE SAAB: Elie Saab introduced a Japanese element to his couture, offering a kimono jacket here and an obi sash there.


FELIPE OLIVEIRA BAPTISTA: The designer continued his foray into sharp, architectural tailoring, this time using the idea of speed and planes as a canvas for a more aerodynamic silhouette.


GIORGIO ARMANI PRIVE: The collection Armani presented on Monday evening was particularly puzzling. The biggest problem was neither the politics of the message nor the absence of the kind of brooding romance that might have hooked us in. Nope. It was those shoulders.


GIVENCHY: Riccardo Tisci married two artsy inspirations, the work of 19th-century painter Sir Lawrence Alma-Tadema and Pina Bausch’s delicate dance costumes.


See also: Busy People at Givenchy »

JEAN PAUL GAULTIER: Sharp lines and rapturous curves — they comprise both calligraphy and couture. So perhaps it makes sense that Jean Paul Gaultier, a master at working a theme, connected the dots.


MARCO DE VINCENZO: Marco De Vincenzo made a promising debut with a collection of body-conscious looks treated with a fabulous range of optical effects.


MARTIN MARGIELA ARTISANAL: The conceptual Belgian took the commonest of materials — paper towels, shoelaces and plastic price-tag fasteners — and transformed them into witty confections.


STEPHANE ROLLAND: Since he founded his own couture house a few seasons back, Stéphane Rolland has embraced a sleek, glamour-puss look.


VALENTINO: The clothes were impressive, lacking neither flourish nor couture-quality craftsmanship. But they could have been sourced right from the house’s archive.



Roger Vivier »

Boucheron »

House of Waris »




Armani Privé’s Bold, Graphic Beauty »

Christian Dior’s Ethereal Beauty »

Mabille’s Mexican Take on Beauty »

Ballerina Beauty at Lacroix »

A Modern Classic Look at Valentino »

Black and White Geometry at Jean Paul Gaultier »