• New York City Ballet’s costume shop director Marc Happel with

    New York City Ballet
    Image Credit: Thomas Iannaccone

    New York City Ballet’s costume shop director Marc Happel with a rack of tutus and bodices for the principal sylphs.

  • nycb-costumes2

    New York City Ballet
    Image Credit: Thomas Iannaccone

    A costume shop artisan presses the ruffles in a clanswoman’s skirt.

  • nycb-costumes3

    New York City Ballet
    Image Credit: Thomas Iannaccone

    Susan Tammany’s sketch for evil witch character Madge’s costume.

  • nycb-costumes4

    New York City Ballet
    Image Credit: Thomas Iannaccone

    A costume shop artisan holds up the preliminary stages of Madge’s costume.

  • nycb-costumes5

    New York City Ballet
    Image Credit: Thomas Iannaccone

    A rack filled with tutus and briefs for the production’s rotating queue of principal sylphs.

  • nycb-costumes6

    New York City Ballet
    Image Credit: Thomas Iannaccone

    Tutus for the lead sylph and her sisters hang from the costume shop’s ceiling.

  • nycb-costumes7

    New York City Ballet
    Image Credit: Thomas Iannaccone

    Sketches for the lead sylph, clanswomen, and Madge.

  • nycb-costumes8

    New York City Ballet
    Image Credit: Thomas Iannaccone

    A costume shop artisan presses a clanswoman’s skirt.

  • nycb-costumes9

    New York City Ballet
    Image Credit: Thomas Iannaccone

    The clanswoman’s skirt required extensive work.

  • nycb-costumes10

    New York City Ballet
    Image Credit: Thomas Iannaccone

    A rack of clanswomen’s ensembles.

  • The New York City Ballet’s costume shop at work.

    New York City Ballet
    Image Credit: Thomas Iannaccone

    The New York City Ballet’s costume shop at work.

  • The New York City Ballet’s costume shop at work.

    New York City Ballet
    Image Credit: Thomas Iannaccone

    The New York City Ballet’s costume shop at work.

  • nycb-costumes13

    New York City Ballet
    Image Credit: Thomas Iannaccone

    Costumes for “La Sylphide” hang on a rack.

  • Completed skirts for “La Sylphide’s” clanswomen.

    New York City Ballet
    Image Credit: Thomas Iannaccone

    Completed skirts for “La Sylphide’s” clanswomen.

  • Completed skirts for “La Sylphide’s” clanswomen.

    New York City Ballet
    Image Credit: Thomas Iannaccone

    Completed skirts for “La Sylphide’s” clanswomen.

  • Wings for the sylph characters are assembled in the costume shop

    New York City Ballet
    Image Credit: Thomas Iannaccone

    Wings for the sylph characters are assembled in the costume shop.

  • Wings for the sylph characters are assembled in the costume shop

    New York City Ballet
    Image Credit: Thomas Iannaccone

    Wings for the sylph characters are assembled in the costume shop.

  • Scottish kilts for “La Sylphide’s” clansmen.

    New York City Ballet
    Image Credit: Thomas Iannaccone

    Scottish kilts for “La Sylphide’s” clansmen.

  • Corps de Ballet dancer Laine Habony is fitted for her costume.

    New York City Ballet
    Image Credit: Thomas Iannaccone

    Corps de Ballet dancer Laine Habony is fitted for her costume.

  • Happel and Tammany watch Habony’s costume fitting.

    New York City Ballet
    Image Credit: Thomas Iannaccone

    Happel and Tammany watch Habony’s costume fitting.

  • Tammany’s sketch for Habony’s costume.

    New York City Ballet
    Image Credit: Thomas Iannaccone

    Tammany’s sketch for Habony’s costume.

  •   Happel and Tammany in the New York City Ballet costume shop.

    New York City Ballet
    Image Credit: Thomas Iannaccone

     Happel and Tammany in the New York City Ballet costume shop.

ad

Verify it's you

To help keep your account secure, please log-in again.

Please log in

You are no longer onsite at your organization. Please log in.
For assistance, contact your corporate administrator.