For spring, the couturier celebrated his 20th anniversary with a show, while summer expanded on unconstrained cotton silhouettes.

Katrantzou showed a standout, emotional couture collection at Athens’ Temple of Poseidon, paying homage to her country’s history and writing a new chapter of her own.

Body-hugging dresses and skimpy bra tops tipped the designer’s trademark masculine-feminine dynamic into flirtier territory.

Honayda Serafi drew inspiration from Bedouin women in her native Saudi Arabia for a collection of sharp gowns for the red carpet.

The South Korean-born DJ and producer mixed up patterns including pixelated ravers and Korean traditional masks.

Luisa Orsini and Antonine Peduzzi played with optical effects and archival fabrics in their second season for the storied Roman house.

The Australian designer lightened his dramatic signature with breezy fabrics and more daywear options.

In a road-trippy state of mind, Tuomas Merikoski brought us the stingray hat, traditional Finnish clogs and handbags made of sails.

The backdrop for Nicolas Ghesquière’s show was a giant video screen featuring transgender singer Sophie performing her track “It’s Okay to Cry.”

Equipment combined utilitarian and archival details in a watercolor palette inspired by Marrakech.

For her sophomore outing, Louise Trotter magnified house codes and collaborated with female artists on sneakers and jewelry.

Judith Milgrom updated the glamour from poolside photos by Slim Aarons in the Sixties with a colorful lineup.

For spring, the collection showed Alaïa’s eye for garment construction, while summer focused on leveraging archive shapes and unused resources.

Designer Hidenori Kumakiri created a versatile wardrobe in which clothes were meant to be worn 24 different ways.

Miuccia Prada’s showed a collection of uncommonly common clothes, elevated feminine silhouettes through hand-painting and humble embellishments.