Olowu offered “practical yet elevated” clothes by uniting a set of different references, from dance-hall music to artist Françoise Gilot’s effortless style.

Wickstead took inspiration from the “Little Women” films and reinterpreted quintessential costume elements for the modern woman.

His abstract take on South American and Japan colonial era dance and movement resulted in new volume and practical wardrobe items.

This was a collection with wide appeal, offering up generously draped, flowing dresses with pleats, ruffles, deep V-necks or spaghetti straps.

Her collection was light, fluid with strong lines and lots of curves, too.

The collection was modest and elegant, with pouf sleeves, ruffles, statement shoulders and interesting fabrics and textures.

Archer’s prints and embroideries could have come straight from Claude Monet’s palette, but instead they were inspired by Charles Rennie Mackintosh.

A refined collection that riffed upon some of the “greatest hits” from seasons-past: wafting feathers, long fringing, and diaphanous layers.

The designer expressed her feelings about a world in chaos via her subversive take on fashion, citing Jesus as a key source of inspiration.

Henrietta Rix and Orlagh McCloskey went all-out Boho for their spring 2020 collection.

The designer delivered another collection of pleasing and timeless wardrobe staples.

Zinko wore sustainability on her sleeve this season, piecing together vintage clothes, deadstock and leftover fabrics for this fun, raw-edged collection.

David Koma did what he does best with sharp, sexy evening dresses but also broadened his scope to include more day options, done through his glamorous lens.

The designer channeled a mix of Seventies disco glamour and Nineties rave aesthetics into an energetic and commercially savvy collection.

Natalia Alaverdian showed a cohesive and wearable collection reasserting her signature codes such as sharp asymmetric tailoring and deconstructed everyday wardrobe staples.