A trip to Taipei was the starting point for Daniel DuGoff’s spring collection.

Steve Aoki held a presentation, runway show and outdoor concert for his men’s streetwear line.

A focus on bold, unusual colors got unwieldy at times.

Chen wanted to design laboratory workwear for the year 2082.

The collection marked the debut of new designer Martin Andersson.

The designer offered a modern interpretation of hippie culture.

Eighties tech start-ups provided inspiration for the line.

Siblings George and Mike Heaton continued to highlight the most energetic aspects of British punk subculture with a streetwear bent.

The collection offered some new shapes of luxe loungewear.

In her last collection for the house, Bouchra Jarrar alternated between trapeze dresses and her signature masculine-inspired suits.

Puff sleeves, leg-of-mutton arms and dropped armholes were just some of the designer’s hot-weather hacks.

As opposed to sourcing ideas from an artist or location, this designer lets her feelings lead the way.

The collection mimicked Japanese architect Tadao Ando’s design M.O. of a muted palette, clean lines and use of raw materials.

The latest offering boasted a tone of quiet sophistication with a classic American undercurrent.

Christopher Bevans brightened things up for his second showing at NYFW: Men’s, using pops of color along with neutrals.