With uncluttered cuts, layering for depth and a restricted palette, Susana Clayton has simplified the brand’s message.
A love letter to Welsh handcraft and plenty of commercial pieces.
The collection re-imagines many of the late designer’s proposals from the Nineties — and they look terrific now.
The Australian designer went for a crisp palette of earthy winter whites and restrained shapes in a lineup that was approachable yet striking.
The cancellation of the show was an opportunity to get up close with the Taiwanese luxury label’s craft-intensive pieces.
Albert Kriemler borrowed cubist and graphic elements from Robert Mallet-Stevens.
Sandra Sandor elevated her signature look with a mix of grunge and bourgeois references.
The DJ took her collection in a more upscale direction, with tailored pieces featuring traditional Korean geometric motifs.
Germanier is making a case for folding the evolution of his brand into the wider revolution of the textile and fashion industries.
The season was an ode to all things Y/Project, including the diffuse historical references that are the bedrock of Martens’ constructions.
Stella McCartney focused on high-interest surface treatments including perforated vegan leather and prints done in collaboration with the archive of the artist Erté.
Traditional socialites were joined by the new guard, indicating the brand now speaks to a wider constituency.
Zuhair Murad created a lavish lineup with an Arts and Crafts feel.
“I wanted to think beyond the 3-D and incorporate movement,” Chitose Abe explained of the giant leap in her technique.