Stacey Bendet imagined vignettes based on her favorite places, then designed prints and clothes to represent each destination.

Stacey Bendet filtered Ali McGraw’s free-spirited bohemian style through a wildly whimsical Alice + Olivia lens for resort.

Stacey Bendet aimed to telegraph the boldness in rebellion with visually impactful clothes that were edgy yet glam.

The collection’s romantic narrative referenced Thirties fashion and the 2007 feature film, “Atonement.”

Stacey Bendet reimagined Chelsea Hotel as a thriving space for female contemporary artists, with prints culled from their work.

The collection twisted American classics in a message of feminine strength.

Salman Rushdie’s novel, “The Enchantress of Florence,” informed Stacey Bendet’s fall collection.

Stacey Bendet blended the Seventies and Nineties seamlessly and drew heavily from the music festival scene.

Stacey Bendet found herself captivated by Rome’s Bomarzo gardens, which inspired this season’s elaborate, romantic collection.

Stacey Bendet’s resort capsule collection was both a collaboration with — and a celebration of — artist Jean-Michel Basquiat.

Stacey Bendet’s fall collection, done in rich, autumnal hues, served as a late Seventies flashback.

Stacey Bendet worked a “librarian chic” mood, blurring the lines between sexy and studious for pre-fall.

Stacey Bendet transported her audience to a desert landscape, with floral prints, Aztec motifs and a new capsule line of embroidered denim.

Seeking an intellectual bohemian vibe for resort, designer Stacey Bendet put a modern spin on retro Seventies silhouettes and fabrications.

AnnaSophia Robb, Sofia Richie, Sarah Silverman, Caroline Vreeland, Michelle Trachtenberg, Kate Nash, and DJ Helena sat front row at Alice + Olivia's fall show.