The designer brought his magpie approach to the collection, with influences including Veruschka, the Bloomsbury Group and Kazimir Malevich.

Andrew Gn wants to bring back black and white in an Internet age obsessed with color.

Everything was united under Gn’s vision of updated ladylike polish, some Sixties, some Eighties.

The designer conjured a modern-day Jackie Onassis with outfits that blended Asian references with a sense of ease.

Blending the extreme street fashion of Tokyo’s Harajuku district, and the traditional fashions of Kyoto, Japanese codes abounded.

Andrew Gn’s fall collection was a celebration of the confluence of cultures, combining sartorial polish with tribal kick.

Channeling an 18th-century punk spirit, Andrew Gn dressed his ladies in denim for the first time.

The designer offered a collection that was a colorful “collage of world culture.”

The designer’s fall collection walked a line between crisp military tailoring and opulent embellishment.

Andrew Gn’s spring offering was one part clean-cut geometric lines and the other part ladylike vintage patterns.

Inspired by the patterns of Persian ceramics, Andrew Gn embellished the dresses, gowns and coats in his resort collection with an array of stylized tulips, carnations and marigolds.

Fringing abounded on everything from a glistening black embroidered pony hair coat to a one-shouldered teal crepe evening gown.

With Seventies craftsmanship in mind, the designer produced a pre-fall collection that was highly detailed and quite luxurious.

Andrew Gn’s Asian heritage and several artistic movements played key roles in the designer’s exuberant collection.

With English gardens in mind, especially London’s Chelsea Flower Show, Andrew Gn showed a delicate collection with an old-fashioned feel.