Powder tones were a poetic addition to a largely black-and-white collection.

The collection gave a nod to a 19th-century artists’ sense of beauty.

Sébastien Meunier continued the William Blake-inspired discourse on innocence and experience in a recomposed wardrobe fit for contemporary amazons.

Meunier conveyed a world fraught with tension, but managed to navigate it with fresh confidence.

The collection’s silhouettes, falling off the body, and trailing white feather boas and delicate cotton ties, were superdreamy.

A heady bohemian air hung over this collection that was filled with loose silk corduroy, black flowers and tasteful flashes of skin.

Flowing silhouettes and mixes of leather and lace agave this collection a sense of freedom and of romance.

Transparency was among the key themes.

Sébastien Meunier based his collection on deconstructed shirts and suits in a mostly monochrome palette.

WWD went behind the scenes at Ann Demeulemeester’s spring show.

Sébastien Meunier draped models in printed or embroidered flags.

Sébastien Meunier seems to be approaching the label’s 30th anniversary in a melancholy mood.

WWD went behind the scenes at the fall show.

Sébastien Meunier used textural effects inspired by hair for his ode to a modern-day Adonis.

Ann Demeulemeester’s spring runway was a sum of tailoring, tribal effects and a touch of S&M.