Maxime Simoëns’ third outing for the glamorous Parisian house was a glittering lineup of tropical motifs.

Loris Azzaro left behind a legacy of cocktail and evening choices on which AD Maxime Simoëns grafted a more contemporary spin.

The first collection of new artistic director Maxime Simoens presented a vision of simple gowns with sparkling embellishments.

Duo Arnaud Maillard and Alvaro Castejón explored the kaleidoscope of floral and geometric prints for spring.

Under pulsating lights at the Faust nightclub, Arnaud Maillard and Alvaro Castejón went to town with a brassy, Seventies disco-inspired Loris Azzaro couture collection.

“Welcome to the desert,” Alvaro Castejón, one half of the design duo behind Loris Azzaro, said backstage before the show.

Slithery gowns that exposed the flesh through tearlike portholes, as if clawed open by a wild cat, closed couture week in Paris at the Loris Azzaro show.

Design duo Arnaud Maillard and Alvaro Castejón focused on evening with stretchy columns inset with sheer panels.

The fall collection, under the stewardship of the design studio, was an after-dark story

Embellishments were plentiful, featured as crystal and diamanté adornments and as a fireworklike motif on several looks.

Mathilde Castello Branco took a playful approach to the house archives in her first outing for the brand.

Company hosted a party at the Jeu de Paume in Paris Tuesday night to launch “Azzaro,” a book celebrating the house’s 50th anniversary.

Dishing up playsuits and frocks tricked with crystal brooches, bows and ruffles, the designer’s intimate presentation felt like a candy shop for cocktail garb.

Shirley Temple and Dorothy in “The Wizard of Oz” were some of the inspirations for Vanessa Seward’s little girl dresses.

Vanessa Seward’s pussycat theme purred sex appeal without being too obvious.