Bally’s CEO Nicolas Girotto spoke of a coed collection that emphasized “purity of form, clean lines and understated luxury.”

Bally’s collection was inspired by the natural world.

“We own the mountains, and wanted to go back to our roots and show the uniqueness of Switzerland and the craftsmanship of the brand,” said Frédéric de Narp.

Looks presented at Bally’s Milan showroom were inspired by vintage stores and flea market finds.

Bally is swiveling the spotlight onto its outdoorsy, sporty heritage — to great effect.

The accessories — sporty and sassy — will power Bally forward.           

The New York music and artistic scene in the late Seventies and early Eighties inspired this cool, young collection.

Bally’s fall lineup, designed by an in-house team, riffed on some of its best-selling shoes and accessories, with just a few rtw looks.

Pablo Coppola worked a rainbow of warm Carribbean brights into this collection, full of tailored clothing with practical flourishes.

Brighter-than-bright, this collection came in a rainbow of citrus brights inspired by David Hicks interiors, and the Bally archives.

The collection pulsed with zesty colors and a joie de vivre inspired by the geometric patterns and searing bright of David Hicks’ interiors.

John Waters alert. Pablo Coppola made bad taste look good in his fall Bally collection.

Design director Pablo Coppola looked to Sixties screen beauties Julie Christie and Catherine Deneuve for this collection.

Footwear included white leather sneakers with colored rubber soles and basket-weave leather skater slip-ons.

Design director Pablo Coppola presented a spring sportswear collection that was pared down in attitude and ultrarich in fabrication.