An emphasis on tailoring added a more formal expression of elegance to a house best known for fluid, floral prints.

The collection was influenced by the designer’s discovery of Alice Neel, a portrait painter active in the Sixties through the Seventies.

For the label’s debut men’s collection, bright and original sweaters drew inspiration from Uzbekistan’s traditional weaving techniques.

The designer built a bright and airy lineup, swinging between flower prints and checks.

Christian Wijnants designed rich patterns that added texture to silhouettes that spoke with flow rather than volume.

Christian Wijnants’ offering was less ethnic, more ethereal and simultaneously more contemporary this season.

The Belgian designer was inspired by women traveling and Persia for this collection.

The Belgian designer continues to collect blooms in Persia.

The summery collection was inspired by an imaginary trip to “mythical, magical” Persia.

The Belgian designer played a mix-and-match game with florals and paisleys in silks, synthetics and knits in a palette of rich and bright shades.

The Belgian designer’s inspiration was an imaginary trip to “Persian territories,” with loose, fluid silhouettes and a collage of paisley prints.

Christian Wijnant’s spring runway felt like a tale of two collections, because it was: resort and spring.

This charming collection nodded to the Seventies, and a Nordic aesthetic.

Easy shapes in textural fabrics formed the basis of Christian Wijnants’ sculpture-inspired spring lineup.

Flat floral motifs influenced the collection's prints, including abstract flowers that looked like they had been doodled.