It was obvious from the get-go that there was a modern-dance influence in motion.

The work of Cecil Touchon inspired Doo-Ri Chung’s collection, specifically as graphic, confettilike prints that appeared on looks.

The designer stepped up her use of prints, from bright painted florals on a skirt to softer black florals on a sleeveless tunic.

The brand’s signature jersey draped numbers were all still there, but this time the designer also included plenty of separates.

Orlando Pita, who was working on behalf of Spirulina by Byron hair products, did a very straight, blown-out down do with blunt ends.

The collection was inspired by the work of artist Beverly Semmes, though it lacked her use of color.

The collection was soft and feminine with plenty of back volume.

The show was full of the designer’s three constants: pleating, draping and commercial viability, though not necessarily in that order.