It was obvious from the get-go that there was a modern-dance influence in motion.

The work of Cecil Touchon inspired Doo-Ri Chung’s collection, specifically as graphic, confettilike prints that appeared on looks.

The designer stepped up her use of prints, from bright painted florals on a skirt to softer black florals on a sleeveless tunic.

The brand’s signature jersey draped numbers were all still there, but this time the designer also included plenty of separates.

Orlando Pita, who was working on behalf of Spirulina by Byron hair products, did a very straight, blown-out down do with blunt ends.

The collection was inspired by the work of artist Beverly Semmes, though it lacked her use of color.

The collection was soft and feminine with plenty of back volume.

The show was full of the designer’s three constants: pleating, draping and commercial viability, though not necessarily in that order.

Doo-Ri Chung goes back to square one with a renewed focus on her signature draped jersey.

Doo-Ri Chung savvily executed the idea of opposites, countering her signature draping with sharp tailoring and military touches.

Doo-Ri Chung describes her collection as a “mash of colors” to transition from summer to fall.

Doo-Ri Chung spoke of “containing the pleats” during a preview of her spring line, and her most literal efforts proved the best.

For Doo-Ri Chung, resort is all about presenting an easy, wearable and salable collection, which featured jersey knit suits and pleated jersey dresses.

In an apparent about-face from last season’s sportif, Doo-Ri Chung copped a glam rock attitude for fall.

After last season’s more structural outing, Doo-Ri Chung returned to her jersey-girl roots, here in a palette of extremes — muted neutrals to electric brights.