Armani worked his masculine-meets-feminine magic in black-and-white onto a plethora of pleated pantsuits. There was one for everyone.

The collection fused old-fashioned tailoring with sporty staples.

Infused with both quotidian elegance and charming glamour, this collection offered Giorgio Armani’s refreshed take on timeless refinement.

Milan’s master of slouch and soft tailoring was in full flow, sending out a collection filled with crumpled velvet and sheer puckered or slubbed fabrics.

The athletes will wear the new EA7 Emporio Armani uniforms at the Tokyo Olympic and Paralympic Games in 2020.

Surfaces were crinkly, cellophane shiny or bright as fireflies as in a lineup of light blue, green or burnt orange tailored suits.

Giorgio Armani delivered a versatile lineup, where rich fabrics, arty patterns and lively color combinations celebrated the effortless chic spirit of the brand.

Having experimented with the Emporio show format these past few seasons, Giorgio Armani has come home, and in more ways than one.

Urban offerings with touches of the exotic led to a standout collection.

Giorgio Armani embraced a cheerful attitude for his Emporio Armani collection, rooted in a young and urban look.

The runway show was big and long — with more than 200 spring looks making their way down the catwalk in the show space-cum-concert venue — under the “Emporio” sign that’s spoken loud and clear for 22 years at Linate Airport.

Elegant pieces with an evening look were mixed and matched on this versatile collection of uncomplicated city staples.

There were some lovely pieces here — the outerwear and tailoring, in particular.

The loose layering and easy lines of streetwear are hogging the men’s wear conversation, so it should be Giorgio Armani’s moment — again.

“Grey’s Anatomy” actor Giacomo Gianniotti has set up his own production company.