The show went on a dark and moody journey with cocoon layering, some abstract prints and a slight futuristic bent with silver, space-age pieces.

Taken at face value, the bulk was made up of artfully sexy clothes fit for the designer and her peers.

The designer created a tribal vibe via thick, glazed leather biker jackets and faux furs worn over draped jerseys that clung to the body.

The Hollywood heavyweight, venture capitalist and father of Kimberly Ovitz attended his daughter’s debut runway collection on Thursday.

After the Japanese earthquake, the designer “became preoccupied with the idea of disaster versus relief and man versus nature.”

Nature meets urbanization. That’s the premise behind the designer’s resort collection, which was inspired by her recent move from Los Angeles to New York.

Ovitz’s fall collection was a bold push, proving that she is ready to take some risks.

Ovitz took on the four-corner notion every which way, whether adding rectangular shapes atop body-con jersey dresses or featuring houndstooth-print jackets.

What’s the Kimberly Ovitz way of tackling, as she says, “The historical structure of women’s and men’s clothing”? Subtly and oh-so-casually.

Ovitz’s presentation was a wonderfully stylish mash-up of casual-cool meets prepster classics.

Kimberly Ovitz looked to the architecture of Frank Gehry and the ideals of Buddhist monks and created a well-executed collection.