Jeremy Scott’s seasonal gag was the speed of the fashion system — so fast he barely had time to finish the collection.

For his third Moschino show in his hometown of Los Angeles, Scott went to the circus — literally — creating a tent of colorful thrills and frills in the middle of a grassy equestrian compound in Burbank, Calif.

This wasn’t just any old kitschy time capsule collection. Scott concocted out of his own obsession with conspiracy theories.

The inclusive show played out like a tug-of-war for the clothes, blurring gender lines.

Bikers. Ballerinas. My Little Pony. Gigi Hadid as a human bouquet. Moschino was full of characters.

“I don’t know about you, but now I want to go on a road trip to Vegas wearing a sequin jacket,” said Fergie.

Jeremy Scott delivered “cardboard couture,” a pun-filled collection about a rich clotheshorse gone broke.

The collection played out as a curated clash between dystopia and hope.

Welcome to Jeremy Scott’s spring doll house, an ode to paper dolls and Valley of the Dolls.

To echo the charred clothes on the Moschino runway, makeup artist Tom Pecheux went for — what else? — a smoky eye.

The British singer and songwriter was under a self-enforced media blackout ahead of the release of her new EP on Friday.

Jeremy Scott turned up the heat at Moschino with Bonfire of the Vanities-inspired fall collection.

Jeremy Scott took the bright, cartoonish artwork of Gilbert & George and spun it into a collection filled with trompe l’oeil effects and punky details.

WWD went behind the scenes at the fall show.

Jeremy Scott lit up the Moschino catwalk with a fluorescent-drenched collection of combatwear and punky clothing based on the artworks of Gilbert & George.