The designer set out to explore the notion of contemporary masculinity, with the collection’s emblem a Hawaiian-style flower that was never girly.

Harden said a potential collaboration with Barrett is being discussed, although he declined to reveal details.

The designer looked back to his role in establishing a new minimalist take on men’s wear in the mid Nineties.

The designer dedicated the collection to Nineties minimalism.

The designer took his own Saint Martins’ student uniform as the starting point.

Barrett put aside the overtly sporty references of his recent collections for classic tailoring from a feminine point of view.

Neil Barrett’s spring collection was a modernist, Italian-made ode to Americana.

Never one to hem and haw in fashion, Neil Barrett went whole hog for Seventies Americana.

Neil Barrett dipped into his Devon childhood — and his frustration at not being allowed a sheepskin at the time — bringing retro classics like shearling car coats and shiny tracksuits up to date.

Neil Barrett occasionally telegraphed a youthful, graphic verve.

Neil Barrett showed a collection of graphic, laser-pieces finely tuned to fit together in myriad combinations.

Stepping away from his sporty, street-smart aesthetic, Neil Barrett referenced masculine classics from around the world to produce a convincingly universal wardrobe.

The designer mixed a masculine and feminine aesthetic, creating novel patterns and hybrid silhouettes, in a chic and wearable resort collection.

Neil Barrett kept his fall women’s collection in sharp perspective, showing the tight lineup — tailored to the idea of Eighties punk musician Siouxsie Sioux today — in his Paris showroom.

Neil Barrett’s fall proposition was above all functional – with a strong British accent and a tough, urban edge.