French model Charlotte Martin – and friend of David Bowie – was the muse of the season and pointed to her free–flowing hair and dreamy style.

Kiely referenced the Seventies R&B group The Pointer Sisters for spring.

Channeling the flair of women such as Marisa Berenson and Diana Vreeland, the designer created long, fluid shapes and nature-inspired prints and patterns.

Orla Kiely worked geometric patterns, in a palette of pink, mustard, brown and black, into this collection of Sixties-inspired silhouettes.

Seventies folk music festivals inspired the British designer’s print-centric lineup.

For her first pre-fall collection, Orla Kiely was feeling nostalgic for the Seventies.

The late Sixties and early Seventies are Orla Kiely’s favorite years, and this season she gave her silhouettes a dose of summertime glamour, as seen through the lens of Slim Aarons and the eyes of Lily Pulitzer.

Ali MacGraw as Radcliffe student was on Orla Kiely’s mind for this collection of girlish, early Seventies silhouettes with geometric details.

It felt like Orla Kiely worked a field full of flowers into her collection.

The designer’s playfully chic lineup riffed on Parisian dressing and boy-meets-girl silhouettes.

The presentation was charming; the clothes, a polished take on Kiely’s whimsical, girlish approach.

Orla Kiely sent out a collection of sweet silhouettes with a military twist.

A commercial forties inspired collection.