Religion and glamour don’t necessarily go hand in hand, although in this case, the designers somehow made the mix work.

Brian Wolk and Claude Morais based their collection on Françoise Sagan’s novel “Bonjour Tristesse.”

Brian Wolk and Claude Morais looked to the saloons, opium dens and theaters of the Bowery’s dark and intriguing yesteryear to inform the line’s fall aesthetic.

Brian Wolk and Claude Morais mixed couture and hipster wear.

Brian Wolk and Claude Morais looked to the sculptures of Henry Moore, as well as the English countryside, to shape their fall collection.

WWD went behind the scenes at the spring show.

Brian Wolk and Claude Morais went for a jockey theme throughout much of the collection.

Brian Wolk and Claude Morais tried to see how far they could take the tuxedo with their fall collection.