Lo wanted to dress a woman who is party-hopping and searching for love along the way.

This season’s cast of characters included a French maid, flappers, Marie Antoinette and a demure party girl.

The designer immersed himself in all things British, walking the line between rebel-chic and baby-doll cute.

Lo was nostalgic for the Nineties, looking to hip hop music and skater culture, and introducing a collaboration with Hello Kitty.

Several exits veered on the clownish, such as harem jumpsuits in noisy prints and Pierrot sweaters with extra-long sleeves.

The collection drew on the films the Hong Kong native treasures, winking to elements from thousands of years of Chinese culture.

Japanese anime witches inspired the designer’s spring offering, giving it both playful girliness and grown-up flair.

Lo’s show notes even stated that his “heroine has grown up” and his references ran from Anna Karenina to the “Frozen” cartoon character Elsa.

Lo stretched himself, confidently going outside his comfort zone to experiment with bias cuts for the first time.

The Fashion East alum, showing solo for the first time, had kitsch sweater dresses in banana and strawberry milkshake tones.