The circle inspired a season of sensuality and pristine silhouettes for the French couturier.

The collection was an impressionist rendering of the designer’s recent visit to China and its cultural sites, Beijing’s Forbidden City in particular.

The couturier dedicated his collection to the Twenties, a period of intense artistic expression.

In terms of theatricality, the designer toned it down, presenting a lighter, more fluid evolution of his aesthetic.

The couturier presented in a theater — Paris’ Théâtre National de l’Opéra Comique — but tempered the drama on some of the looks, to his favor.

Centered on sculptural looks with artistic tendencies, the collection was fit for true divas.

Stéphane Rolland displayed his spring couture like abstract sculpture in an art gallery space, referencing the studios of Brâncuși and Rodin.

A pared-down presentation showed the designer indulging his softer side.

The couturier drew inspiration from the opera and the ballet, and dialed down the excess.

A chaotic set up stole some of the spotlight from Stéphane Rolland's Art-deco-meets-disco couture eveningwear collection.

Like other designers who have shown at the Maison de la Radio in, Rolland could not resist including excerpts from radio programs in his show.

Nieves Alvarez attended the screening of the designer’s couture film, in which she starred, on Tuesday.

The red-carpet favorite of Paz Vega and Kim Kardashian upped the theatrical factor of his architectural designs with a short film.

Photos barely do justice to Rolland’s organic sculpturesque couture collection.

Kim Kardashian practically caused a stampede at the Stéphane Rolland couture show Tuesday afternoon.