“It’s a really unique point of view of people expressing themselves,” Tanya Taylor commented over Zoom, referring to the idea of interiors as a personal expression of now. Her fall collection was inspired by the notion of translating interior decor — a popular shopping, talking and visual point after spending so much time at home over the past year — and its personal, comforting effects into ready-to-wear. The artworks of Jeremiah Goodman also influenced the designer; his paintings of personal homes and depictions of their owners — such as Elsa Schiapparelli, Betsey Bloomingdale and Cecil Beaton — solely through the textures and colors of their spaces.
The use of color and prints is Taylor’s bread and butter. For her latest collection, she spent a lot of time developing brush-stroke, Sharpie-drawn and tapestry-inspired visuals texturally onto fabrics, rather than printing flatly on surfaces, in a rich palette of garnetts, burgundy, rose, bottle green, ecru and more.
The look: A balanced selection of optimistic fashions with a comforting and uplifting spirit through intriguing fabrications and special details, rooted in Taylor’s signature femininity.
Quote of note: “We are bringing the inside, out,” collection notes read.
Key looks: Buttery, merino knits with saturated prints overlaid; a fluid scarf dress with blown out, painterly line floral and abstract color blocking on polka-dot silk jacquard; a stretch cotton jersey dress with a imperfect plaid print; “small dinner party hostess looks” — a strapless knit top and matching pant in vivid sulfur or little feminine purple dresses with high shine or in faux leather. A play on volume lent itself nicely in denim offerings.
The takeaway: Taylor’s thoughtful techniques gave modern art and familiar interior codes a fresh face on her optimistic fashions. One could easily see Taylor’s fall collection evolving into home decor.