Matthew Miller spent three months of this year writing a business plan, a process that frustrated him immensely and was contrary to his creative nature. He channeled that ire into his sophisticated collection, using a cotton-bonded metallic fiber for pale blush pink coats that looked as though they had been violently scrunched up, giving a sculptural effect to the finished look.
The red tape he loathes was expressed in a spray of crimson paint that cut across the back of a softly tailored gray wool blazer, worn with cropped suit pants.
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Two navy linen tops with raw edges and shredded hems looked like they’d been the victims of Miller’s visceral rage, offering a nice textural counterpoint to the sleeker fabrics in the tailoring.