Astrid Andersen likes a good gamble. Her penchant for contrasting codes has already put her on the map with the cool kids in town, but this season the designer, who chose the safari as her starting point for spring, has pushed the boundaries even further.

Like a casino croupier deals a game of cards, Andersen played the high against the low, skillfully mixing streetwear staples with classic couture fabrics, which resulted in a fresh, new aesthetic for those young urban tribes so obsessed with individuality and self-expression.

Forget everything you knew about safaris, though. In Andersen’s vocabulary, the wild life started at home: super-baggy pants in floral silks, roomy sports jerseys worked in delicate lace and tweed hoodies with matching mosquito hats — some of which were trailing floor-length at the back — set the tone for this high-energy collection, fit for the African grassland as well as an upscale city gym.

Backstage, Andersen explained she wanted to look at the concept of exotic journeys from the vantage point of her own peers. “My generation would never really go on a safari, unlike the previous generation, but it still has the curiosity to explore unfamiliar territory.”

Indeed, it would take a confident male to pull off some of the more outré looks she so boldly proposed, including a lush long coat made of fur scraps with heavy knitted sleeves. And who would have thought a muddy-colored tracksuit in crushed velvet would look appealing? More versatile was a series of parkas, which also included sleeveless options, trending this season. They came with high-tech seam-sealing and laser-cutting elements, which took the weight off the constructions and gave the numbers a nice airy swagger.

It all felt raw but relevant, and the collection was certainly at home in London, which hasn’t lost its leading edge, despite some brands deserting the city.

See More From the London 2018 Men’s Spring Collections:

Stella McCartney Screens Men’s Wear Short Film at 16th-century Pub: Steven Tyler, Steve Coogan were among the guests at the Tudor-era watering hole.

Charles Jeffrey Men’s Spring 2018: A riotous cast of characters, unified in their theatricality and Jeffrey’s joyous treatment of his theme: debauchery.

Cottweiler feat. Reebok Men’s Spring 2018: Dainty and Cottrell looked to the optimism and escapism of off-grid desert communities for spring.

What We Wear Men’s Spring 2018:  Tinie Tempah fused the brand’s minimalist aesthetic with a sportier one for spring.

Wales Bonner Men’s Spring 2018: This focused yet subdued collection saw Grace Wales Bonner musing on a “blue mood.”

Christopher Raeburn Men’s Spring 2018: There was a lightness and transparency to Christopher Raeburn’s signature practical silhouettes.

By  on June 11, 2017

Astrid Andersen likes a good gamble. Her penchant for contrasting codes has already put her on the map with the cool kids in town, but this season the designer, who chose the safari as her starting point for spring, has pushed the boundaries even further.

Like a casino croupier deals a game of cards, Andersen played the high against the low, skillfully mixing streetwear staples with classic couture fabrics, which resulted in a fresh, new aesthetic for those young urban tribes so obsessed with individuality and self-expression.

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