“The Christie’s tracksuit exists because I wanted it to exist,” Henri Alexander said at the conclusion of the debut show of Enfants Riches Déprimés, which saw a cast of disquieting characters stalk through the auction house’s Paris outpost.

Twins walked by hand-in-hand, clad in those branded, wine-colored shell suits, evoking a grown-up version of spooky pair in “The Shining.” A schoolgirl, all oversized cashmere sweater and pleated uniform skirt, had scrawled moody messages on her lace-up boots. One long-haired man in a beret and red crushed velvet suit had something of John Galliano about him; another, Serge Gainsbourg’s mug.

Highlights included a double-breasted jacket in a blue-on-cream pinstripe, and with buttons on only one side; a pink blouson emblazoned with “Ain’t no use in crying,” a collarless overcoat paired with checked trousers featuring a lightning design across one thigh; and a leather jacket paired with smart white jeans.

Despite the designer’s bombastic nature and penchant for cheap provocation, this collection had an air of well-heeled sophistication that no amount of punk-spirited reappropriation could hide. If you’re going to be despondent, you might as well do it in well-cut Loro Piana wools and Thierry Lasry sunglasses.

See More From the Men’s 2018 Collections:

Hermès Men’s Spring 2018: Véronique Nichanian jumped on the streetwear bandwagon with shiny track pants, oversized hoodies and parkas in technical fabrics.

Balmain Men’s Spring 2018: Olivier Rousteing took his bow in a deep-V Breton wrap sweater, and worked many of those French standards into his typically jazzy lineup.

Dior Homme Men’s Spring 2018: Kris Van Assche, who is celebrating a decade at the helm, paid homage to the know-how of the brand with a new Christian Dior Atelier label.

Sacai Men’s Spring 2018: The overall mood was cleaner and more graphic with the slogan looks telegraphing an ultra clean, preppy-punk vibe.

Berluti Men’s Spring 2018: As he did for his debut collection, Ackermann showed a handful of looks on female models such as Liya Kebede and Stella Tennant.

By  on June 25, 2017

“The Christie’s tracksuit exists because I wanted it to exist,” Henri Alexander said at the conclusion of the debut show of Enfants Riches Déprimés, which saw a cast of disquieting characters stalk through the auction house’s Paris outpost.

Twins walked by hand-in-hand, clad in those branded, wine-colored shell suits, evoking a grown-up version of spooky pair in “The Shining.” A schoolgirl, all oversized cashmere sweater and pleated uniform skirt, had scrawled moody messages on her lace-up boots. One long-haired man in a beret and red crushed velvet suit had something of John Galliano about him; another, Serge Gainsbourg’s mug.

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