In a number of ways, the story told in Blindness’ spring collection was of the age-old girl-meets-boy variety.

Exploring the theme of first love, designers Kyu Shin and Ji Park siphoned the maelstrom of emotions triggered by falling in love for the first time into a romantic collection that cleverly riffed on its theme and took the nonbinary trend to new levels of sophistication and drama.

They gracefully intermingled masculine and feminine codes, borrowing details from ultra-manly military dress and elevating them with archly feminine touches. Army great coats were reincarnated in organza, with OTT frills appliquéd across the yoke and hem; a plaid-backed trench came with a scarf of organza ruffles; a frilled Inverness cape (see Sherlock Holmes) had a pretty floral-print capelet and lining, and tough denim sailor pants were worn with a soft blue tie-neck silk shirt.

This being a brand strong on gender fluidity, there were sheer black gowns, a full-length tartan dress, pie crust collars tied around necks, sheer hunting vests, leg of mutton sleeves on the suiting, and studded leather corsetry worn over elaborately cut striped shirts and frilly blouses.

The charming, pearl-embellished eye masks worn by some models were a clever wink at their brand’s moniker and at the old adage that suggests romance causes visual impairment.

By  on June 11, 2018

In a number of ways, the story told in Blindness’ spring collection was of the age-old girl-meets-boy variety.

Exploring the theme of first love, designers Kyu Shin and Ji Park siphoned the maelstrom of emotions triggered by falling in love for the first time into a romantic collection that cleverly riffed on its theme and took the nonbinary trend to new levels of sophistication and drama.

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