Aaron Aujla, owner of Green River Project, a furniture and interiors firm, was Emily Bode’s primary reference point this season. She met Aujla in New York and they’ve previously worked together on other projects. (He’s created all of the furniture for Bode’s presentations.)

For her collection, Bode drew from Aujla’s lineage. His family is from India, but he grew up in British Columbia. Bode has always outsourced her embroidery and embellishment work in India, but this season she worked with more Indian textiles that had historical significance. She made suits from Khadi towels, an Indian fabric and developed another suit from India’s government subsidized mill prints.

Bode said the Khadi fabric has a connection to Mahatma Gandhi’s self-reliance movement, which urged Indians to bring weaving back into the home as opposed to buying these goods from other countries.

Highlights included a white fringed button-up shirt made of chenille, a pair of floral print high-waisted pants constructed from curtain fabric, and a bright yellow matching set printed with a village motif that consisted of a crepe de chine shirt and duchesse-satin pants.

The furniture was influenced by Indian filmmaker Satyajit Ray’s 1966 “Nayak,” which was filmed on a train, and each of the pieces were for sale.

It wasn’t a huge departure from what Bode has presented previously, but her inventive use of vintage textiles lends a freshness to the collection each season. The worlds and collections she envisions continue to be a standout on the New York Fashion Week: Men’s lineup.

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