Walter Van Beirendonck titled his quirky collection for spring Wild Is the Wind, and wild it was — with skeleton, donkey and bird prints, V signs for peace, clogs and slogans like “Trans Human,” “Hell to the Liars” and “Riot!” Often a man with a message, many of the Belgian designer’s trademarks popped up again this season.

Deconstruction, for instance, abounded, starting with the first look that included a skimpy vest made of lemon-yellow webbing and patches. One featured an imaginary polka-dotted creature with the words “loving the alien” and another read: “It’s only a story/it’s not real/don’t Worry/there IS a happy ENDING.”

The webbing, bringing to mind fetishism, workmen’s garb and streetwear, decorated many garments. And often that was blended with more sartorial elements. Take, for example, the checkered suit featuring orange webbing.

In hallmark Van Beirendonck style, every piece was finely crafted, with standouts including outerwear, such as raincoats, suit jackets and bombers. Sometimes, though, the riot of prints, patterns and colorblocking stole the show.

By  on June 20, 2018

Walter Van Beirendonck titled his quirky collection for spring Wild Is the Wind, and wild it was — with skeleton, donkey and bird prints, V signs for peace, clogs and slogans like “Trans Human,” “Hell to the Liars” and “Riot!” Often a man with a message, many of the Belgian designer’s trademarks popped up again this season.

Deconstruction, for instance, abounded, starting with the first look that included a skimpy vest made of lemon-yellow webbing and patches. One featured an imaginary polka-dotted creature with the words “loving the alien” and another read: “It’s only a story/it’s not real/don’t Worry/there IS a happy ENDING.”

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