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Hiromichi Ochiai was in the mood for romance, sending out a genderless, delicate splicing of sportswear and tailoring filtered through his asymmetric lens. His faceless models — their features hidden by wigs or lace-edged veils — were draped with caped shoulders, garbed in classic eveningwear pieces like a twisted dress shirt or clad in strong, sporty outerwear in a palette of black and white.
While more minimal than his recent offerings, Ochiai’s craftsmanship was perhaps even more visible because of the pared-back color scheme, punctuated here and there by touches of lace or vaporous neon ruffles for a flight of fancy.
The show opened with a Levi’s capsule inspired by a visit to the denim heavyweight’s California archives. The ubiquitous 501 was twisted around the body, while other models were cut apart and laced back together, the ties forming fringes.
![Pop singer @MAXMusic talked to us about his second album and how @Madonna made him appreciate being a "fun-sized human."
For the new album, “House of Divine,” he’s discovered the color yellow in a major way — as his Instagram suggests. After having vocal surgery, he couldn’t speak for four months (he learned sign language, the whole thing), and woke up one day consumed by the color yellow.
On how he started to embrace his size after starring in a campaign with Madonna, Max said, “Honestly I’ve always been so insecure about [my height] especially because I loved fashion so much, and that was the first time that I really started embracing myself because I was like, ‘Wow I got this because of this,’” he says. “It really made me less afraid.”
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Report: @leighen
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