The former Angel said she didn’t renew her Victoria’s Secret contract because it wasn’t the message she wanted to send to young women.

Condé Nast International has lifted the veil on its 2017 financials, which will be published on Companies House in the next days.

Elle U.K. was the exception to the rule, climbing 6.91 percent in the July to December period.

The winner will be announced on May 1 and will receive mentorship and a cash prize.

Cut from American Vogue last year, Jill Demling isn’t straying too far with a post under Edward Enninful.

The company said an internal restructuring took a toll on annual profits, but revenue in the region fell, too.

With the latest journal in fine art bookstores, the photographer plans to debut his documentary about the actor Robert Mitchum, “Nice Girls Don’t Stay for Breakfast” in Paris.

Alexandra Shulman and Fiona Golfar have teamed with production company Bad Wolf to produce a TV drama series that tells the story of the fashion publishing world in the Nineties.

A regimented VIP system, run by a small cadre of publicists, too often leaves minorities out in the cold.

Both Coddington and Ghesquiere moved at the age of 18 to find their callings in major fashion cities without any solid work lined up.

Harvey launched numerous Vogue titles and styled Princess Diana.

The U.K’s Audit Bureau of Circulations reported a 5 percent drop year-over-year for women’s print and digital publications.

Can you spot all the similarities between American Vogue’s Beyoncé cover and British Vogue’s Rihanna cover?

Derrick had served as Spring’s global executive creative director.

Wintour rumors have become quite the topic of conversation recently, despite emphatic denials from Condé Nast that anything is happening.