Neigum’s spring offering evolved his penchant for stark lines with a newfound thread of lightness.

The Eighties are still here, along with neons, technical fabrics and surf.

Lopez cleansed his palette of color and cited Dante’s “Purgatory” for a mix of street and renaissance, which he aptly calls “thot-aissance”.

Francesco Fucci cut men’s wear concepts with a sensual ease.

The bulk of Calvin Luo’s spring collection balanced structured tailoring with feminine accents.

Fluid and ambiguous, charged and provoking, Rio Uribe’s spring Gypsy Sport line was uncompromisingly underground and weird.

The collection began with three men’s wear staples, which the sisters reimagined for women in a play on the masculine/feminine leitmotif.

Stacey Bendet imagined vignettes based on her favorite places, then designed prints and clothes to represent each destination.

Trademark infringers are a growing problem in China for American fashion brands.

For spring, Derek Lam and Shawn Reddy went bolder and more graphic and made a big push into modern tailoring that targeted Millennials.

Posen injected drama and flair, along with hefty doses of technique and intricacy into his proposition for women to get dressed up again.

Yajun Melody Lin explored the concept of the “strange loop” in her spring collection, one brimming with conceptual design elements.

Veronica Beard’s concrete jungle theme meant a mash-up of Eighties influences and prints and a big push with tailoring.

The designer injected color and print into her unfettered modernist designs.

Carol Lim and Humberto Leon’s spring show was a drag extravaganza starring Sasha Velour that highlighted fashion’s ability to empower.