Trends ranged from utility and rainwear to electric neons and artsy denim.

Posen delivered a garden party brimming with a youthful take on corporate attire inspired in part by images of Jacqueline de Ribes in the garden.

Neigum’s spring offering evolved his penchant for stark lines with a newfound thread of lightness.

The Eighties are still here, along with neons, technical fabrics and surf.

The designer stuck to elevated staples while playing with seductive, skin-baring elements.

Lopez cleansed his palette of color and cited Dante’s “Purgatory” for a mix of street and renaissance, which he aptly calls “thot-aissance”.

Francesco Fucci cut men’s wear concepts with a sensual ease.

“The concept really is just about exploring and celebrating women and all different shapes and bodies and designing things that met that.”

The bulk of Calvin Luo’s spring collection balanced structured tailoring with feminine accents.

Fluid and ambiguous, charged and provoking, Rio Uribe’s spring Gypsy Sport line was uncompromisingly underground and weird.

The collection began with three men’s wear staples, which the sisters reimagined for women in a play on the masculine/feminine leitmotif.

Stacey Bendet imagined vignettes based on her favorite places, then designed prints and clothes to represent each destination.

There was a thread of ease to silhouettes not often associated with the designer’s world of high-glam evening.

For spring, Derek Lam and Shawn Reddy went bolder and more graphic and made a big push into modern tailoring that targeted Millennials.

Posen injected drama and flair, along with hefty doses of technique and intricacy into his proposition for women to get dressed up again.