Resort allowed Chiara Boni to revert back to her penchant for vibrancy.

Angela Missoni looked to disco to inject a sense of uplifting freedom and youthfulness into her secondary line.

The designer looked to Bangkok for its unusually seamless blend of monastic minimalism against intricate structures.

The designer turned to the work of Hilma af Klint, whose art employed a bold use of color, geometry and floral motifs.

The exciting news for resort was the launch of cut-and-sew knitwear that added an expanded dimension of layering.

Stacey Bendet filtered Ali McGraw’s free-spirited bohemian style through a wildly whimsical Alice + Olivia lens for resort.

Jane Siskin favored separates for resort, embracing eclectic pattern play that speaks to a global customer.

The main message here was a play on proportions that leaned on gender-ambiguous undertones.

For resort, Catherine Holstein implemented artistry through new techniques which, in turn, allowed silhouettes to evolve.

Resort was all about vintage and holiday, the former as the aesthetic mood and the latter as a means to offer evening dresses.

Emily Smith has injected the brand with a sense of polished ease, balancing staples against approachable fashion-driven statements.

Claudia Li’s playfully innovative collection, full of quirky design elements and colorful floral patterns, was born out of nostalgia.

A race car theme led to great neon jackets in crackled leather, techy sport separates, poppy floral prints and a big push on denim.

“It’s like a pink Barbie picnic!”

Jazz informed the need for movement, while prints made the collection approachable.