The Oscars announced major changes, including the creation of a new award, which did not prove popular.

Ivanka Trump’s business couldn’t withstand the Washington chaos. How will Trump herself fare long-term?

In their new film “McQueen,” Ian Bonhôte and Peter Ettedgui deliver an intimate portrayal of a creative genius who used fashion to make magic, but whose brilliant sorcery couldn’t save himself.

Janet McQueen talks about the beloved brother she lost.

Extravagance, imagination, craftsmanship and now, integrated technology — it’s enough to make the head spin. WWD looks at some of the fall season’s special moments on the runway and off.

Vibrant color and volume marked Pierpaolo Piccioli’s magical collection — “a lot of dream” — at the Hôtel Salomon de Rothschild.

Fur or faux? For fall 2018, Fendi extended its haute fourrure concept to full-on couture, and engaged in a tony guessing game along the way.

For fall, Galliano has somehow applied the developments of those seasons past and arrived at a place of nomadic currency.

Giorgio Armani wowed his audience with a collection that radiated haute elegance through 96 looks.

The trappings of couture: embroidery, feathers and zippers? At Karl Lagerfeld’s Chanel, you bet.

Now several couture and ready-to-wear seasons into her tenure at Dior, Chiuri has shown ample bravado, more so with political/philosophical messaging than with pure fashion.

Clare Waight Keller focused on the play of feminine and masculine following a deep dive into the Givenchy archives.

On Sunday, Sonia Rykiel will show on the couture calendar for the first time. Creative director Julie de Libran talked with WWD about the emotion of the moment.

A new film by Lisa Immordino Vreeland looks at one of the 20th century’s most prolific creators.

Back when, his glorious bias cuts revolutionized couture. In his first Maison Margiela Artisanal Men’s collection, John Galliano is determined to show that haute technique knows no gender.