Feline behavior at the customary GQ closing dinner, hosted by Dylan Jones, editor of British GQ, and Liam Payne.

“I used to think that fashion was full of annoyingly good-looking, creative people — I was right,” joked Ahmed.

A sophisticated evolution from previous seasons

A paean to Hong Kong inspired by a 48-hour visit there and Wong Kar-Wai’s film, “In the Mood for Love.”

Jean-Loup Leblanc Roy looked to the bohemian scene at the Parc du Mont-Royal in his native Montreal.

Eastwood Danso’s spring 2020 collection, called “Familiar Quantum Leap,” his debut at the London Fashion Week Men’s shows, drew upon his Ghanaian heritage.

For his fourth official engagement since becoming a father, the Duke of Sussex ventured to Rome.

Zhang’s fresh take on formalwear — all of the flutter but none of the frump.

Cooper debuted his first women’s wear collection in London and it was much in the same vein as his men’s offering — mining vintage Americana for inspiration.

Amy Powney took the most famous of all streetwalkers, Vivian Ward of “Pretty Woman” fame, as this season’s muse.

Set in the imposing library galleries of the Reform Club, where Sir Arthur Conan Doyle might have enjoyed a spot of post-prandial brandy.

The designer received the award from HRH The Duchess of Cornwall, on behalf of Her Majesty The Queen.

This year’s edition channeled Federico Fellini’s trademark Italian hedonism.

This was one of the most polished outings from Lulu Kennedy’s Fashion East showcase in recent seasons.

Design director Fran Stringer mined Pringle’s brand’s 200-year archive for the brand’s return to the runway.